
Courtesy of Studio Naaro
Striatus 3D Printed Concrete Bridge
Venice, Italy
2021 - 2021
Complete
Striatus 3D Printed Concrete Bridge

Courtesy of Studio Naaro
Striatus 3D Printed Concrete Bridge

Courtesy of Studio Naaro
Striatus 3D Printed Concrete Bridge

Courtesy of Studio Naaro
Striatus 3D Printed Concrete Bridge

Courtesy of Studio Naaro
Striatus 3D Printed Concrete Bridge
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Courtesy of Studio Naaro
Striatus 3D Printed Concrete Bridge
Striatus is an arched masonry footbridge composed of 3D-printed concrete blocks assembled without mortar or reinforcement. The 16 x 12 metre footbridge is the first of its kind, combining traditional techniques of master builders with advanced computational design, engineering and robotic manufacturing technologies.
Proposing a new language for concrete that is structurally informed, fabrication aware, ecologically responsible and precisely placed to build more with less, Striatus has been developed by the Block Research Group (BRG) at ETH Zurich and ZHA Computation and Design Group (ZHACODE), in collaboration with incremental3D (in3D) and made possible by Holcim.
Exhibited at the Giardini della Marinaressa during the Venice Architecture 2021, Striatus proposes a new language for concrete that is structurally informed, fabrication aware, ecologically responsible and precisely placed to build more with less.
Optimising the properties of masonry structures, 3D concrete printing (3DCP) and contemporary design, Striatus presents an alternative to traditional concrete construction.


Courtesy of Studio Naaro
Striatus 3D Printed Concrete Bridge
Video

Plan : Striatus 3D Printed Concrete Bridge
Striatus is an unreinforced concrete structure that achieves strength through geometry. Concrete can be considered an artificial stone that performs best in compression. In arched and vaulted structures, material can be placed precisely so that forces can travel to the supports in pure compression. Strength is created through geometry, rather than an inefficient accumulation of materials as in conventional concrete beams and flat floor slabs. This presents opportunities to significantly reduce the amount of material needed to span space as well as the possibility to build with lower-strength, less-polluting alternatives.
The name “Striatus” reflects its structural logic and fabrication process. Concrete is precisely printed in layers orthogonal to the main structural forces to create a “striated” compression-only structure that requires no mortar or reinforcement.


Courtesy of in3d
Production process
Computation & Design
Strength is created through geometry, presenting opportunities to significantly reduce the amount of material needed to span space as well as the possibility to build with lower-strength, less-polluting alternatives. Discover more about ZHA's ongoing research into computation and design.

Courtesy of Studio Naaro
Striatus 3D Printed Concrete Bridge
Using a special concrete ink developed by Holcim, this method of 3D concrete printing combines the principles of traditional vaulted construction with digital concrete fabrication to use material only where it is structurally necessary and eliminate waste.
Unlike typical extrusion 3D printing in simple horizontal layers, Striatus uses a two-component (2K) concrete ink with corresponding printing head and pumping arrangement to precisely print non-uniform and non-parallel layers via a 6-axis, multi- DOF robotic arm. This new generation of 3D concrete printing in combination with the arched masonry design allows the resulting components to be used structurally without any reinforcement or post-tensioning.
To prevent misalignment between the direction of structural forces and the orientation of material layers that arises from typical shape-agnostic slicing of explicitly modelled geometry, a custom-developed design pipeline was formulated for Striatus to ensure that its printed layers are wholly aligned with the direction of compression forces throughout the entire bridge and also locally through each 3D-printed block. To address issues and challenges that could prevent in-between stability during printing, the coherence and feasibility of the gradually evolving print paths have been modelled using a Functional Representation (FRep) process.
Circular by design, Striatus places material only where needed, significantly reducing its environmental footprint. As the construction is built without reinforcement and does not need mortar, the blocks can be dismantled, and the bridge reassembled at different location.
Installations & pavilions
ZHA's installations and pavilions utilises our cutting-edge research to push material capability to its full potential. At the forefront of innovation, we explore the limits and possibilities of contemporary construction methods.

Photograph by Alessandra Chemollo
Venice Biennale, May 2021
Installations + Pavilions
The ‘High-performing Urban Ecologies' installation by ZHA responds to the ‘Resilient Communities’ theme of this year’s Italian Pavilion curated by Alessandro Melis for the Venice Architecture Biennale 2021.

Installations + Pavilions
Samsung collaborated with ZHA and digital art and design collective Universal Everything, to present ‘Unconfined’, an installation showcasing the story of the Galaxy S8 that centres on the unity of design, technology and experience. Visitors journey through an immersive environment inspired by the new device, creating digital installations that bring to life the Galaxy design philosophy.

Photograph by Paul Warchol
Retail
Il Makiage has launched a collection with a pavilion at 490 Broadway by ZHA that is informed by the label’s characteristically bold graphic identity.

Image © ZHA, Refik Anadol Studio, with OpenAI DALL-E 2
Virtual Spaces
Installations + Pavilions
Exhibitions
Architecting the Metaverse’ is an immersive art project at the intersection of architecture, art, technology, and artificial intelligence (AI). It is the result of a 6-month collaboration between Refik Anadol Studio (RAS) and ZHA.

Photograph by Hélène Binet
Installations + Pavilions
A new bottle for an old wine: a design to safeguard one of López De Heredia’s treasures. Originally commissioned as a new pavilion to contain an older pavilion restored from the early 20th century, this became a bridge between the past, present and future evolution of its world-famous bodegas.

Photograph by Luke Hayes
Thallus White in The City 4-9 April 2017
Installations + Pavilions
Named after the Greek word for flora that has no differentiation between stem and leaf, Thallus is an experimental structure investigating form and pattern generated by advanced manufacturing and computational methods.

Photograph by Juan Pablo Allegre
Installations + Pavilions
KnitCandela is a thin, sinuous concrete shell built on ultra-lightweight knitted formwork that was carried to Mexico from Switzerland in a suitcase.

Courtesy of ZHA
Installations + Pavilions
A temporary pavilion designed and erected in Chicago’s Millennium Park as part of the Burnham Plan celebrations – reflecting the Chicago’s long tradition for embracing cutting edge architecture in an in intricate but fluid structure that incorporates hidden traces of Burnham and Bennett’s original 1909 plans to redevelop the city.

Photograph by Joel Chester Fildes
Manchester International Festival July 2009
Installations + Pavilions
A unique chamber music hall specially designed to house solo performances of J S Bach works – enhancing the multiplicity of his music by using a single, continuous ribbon of fabric which continuously changes, stretches, compresses and moves around itself to cocoon both performers and audience within an intimate fluid space.

Photograph by Virgile Simon Bertrand
Hong Kong : 27 February - 5 April 2008
Installations + Pavilions
A unique sculptural pavilion created as an exhibition/event space for Chanel – inspired by the brand’s distinctive layering of exquisite details within an elegant, cohesive whole – created as a series of continuous arches, sequencing towards a central courtyard – the entire structure ‘flooded’ by through translucent walls and ceilings.
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