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Shenzhen, China
2021 - TBC
Shenzhen Qianhai Yidan Education, Science and Culture Company Limited
Yidan Center


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Established by Dr Charles Chen Yidan (core founder of the global technology company Tencent), Chen Yidan Foundation strives for the diversification of education ecosystems to achieve sustainable growth and development.
Founding the Yidan Prize in 2016 to recognise the most innovative minds in educational research and practice, Dr. Yidan is building a global community dedicated to improving the quality of education around the world.
Combining the resources of the Yidan Prize's worldwide network and the Chen Yidan Foundation's detailed knowledge of the education sector, the new Yidan Center will be home to research and practice platforms that promote lifelong learning and innovations in education. The center will also provide a nurturing environment for a broader community of institutions and organizations, supporting their growth and collectively fostering an effective ecosystem that shapes the future of education for the 21st century.

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Aerial View CD

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As the new international headquarters of the Yidan Prize, the Yidan Center will offer a varied program of cultural events, exhibitions and activities for its community in China and its partners across the globe.
The Yidan Center will also be the hub of the learning-focused community YiPai, providing a diverse range of learning experiences and empowering lifelong exploration and development. Situated on the lower levels of the building, YiPai will create an inclusive and welcoming environment for people of all ages and backgrounds.
Informed by the canyons and valleys of the surrounding mountainous landscapes that have been used as routes of travel and communication for millennia, the Yidan Center is designed as a place of convergence and collaboration—emulating Shenzhen’s position as a global hub of innovation and discovery. Welcoming pioneering scientists, innovators and academics from across the globe, the city of Shenzhen has become one of the world’s most dynamic cities.
Together with the adjacent Qianhai Museum, the landmark 165,815 m² Yidan Center will define an important new cultural destination for the city.
Incorporating terraces and balconies overlooking a central outdoor ‘canyon’, the Yidan Center’s design promotes connectivity and interaction while blurring the boundary between interior and exterior.


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Verdant gardens guide visitors from the surrounding streets to the base of the center’s ‘canyon’ with views of the geologic architectural formations overhead. A large oculus skylight at the base of the ‘canyon’ floods the interiors below with natural light and enables visitors within these indoor public spaces to experience the center’s architecture above.
Designed to achieve the highest three-star standard of China's National Green Building Program as well as LEED Gold certification, the center’s external louvres provide effective solar shading that permits natural light deep within the interiors while offering panoramic views of Qianhai Bay. These louvres also enhance the striated, geological formations of the architecture.
Conveying the center’s ethos of transparency and knowledge sharing, the Yidan Center’s façade has been designed as a dynamic filter incorporating insulated double-glazed units combined with hybrid natural ventilation to achieve optimal thermal performance and enhanced visibility. The center’s variable air volume (VAV) system ensures interior comfort and energy reductions in the humid subtropical climate of southern China. To further reduce energy and water demand from the municipal networks, photovoltaic panels are integrated within the design, while the center’s architecture and gardens incorporate the collection and storage of rainwater for reuse.
Culture
From a civic art centre that unites three distinct cultural institutions to a science fiction museum whose landscaping contributes to the city’s drainage and flood defence systems, discover our latest cultural projects.

A series of new landscaped parklands, terraces and gardens along the Zhedong Canal within the Xiaoshan district of Hangzhou

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Elevation River
Designed to host local and international productions of opera, dance and drama together with large-scale symphonies and musical theatre, the Art and Culture Centre includes a 1,400-seat Grand Theatre, 500-seat Black-Box Multifunctional Hall, 2,900 sq. m Arts and Education Centre, 3,000m² Conference Centre, 7,500m² Heritage Museum and a 10,000m² Digital Art Gallery.

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Meaning ‘inheritance passed down through generations’, Asaan will be an institution dedicated to preserving and celebrating this rich heritage, in addition to promoting creativity and knowledge sharing.

The new Nikola Tesla Museum renovates Belgrade’s historic Milan Vapa Paper Mill into a cultural destination celebrating Tesla’s legacy while preserving the city’s architectural heritage and creating a variety of new public spaces for local residents and visitors.

Courtesy of ZHA
River View
The Alisher Navoi International Scientific Research Centre will incorporate the Navoi State Museum of Literature, Auditorium, International Research Centre and School.

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Jinghe New City is growing as a science and technology hub north of Xi’an in China’s Shaanxi province. Supported by new scientific research institutes and driven by environmental considerations, the city is becoming a centre for developing industries focusing on new energy and materials, artificial intelligence and aerospace.

Photograph by Virgile Simon Bertrand
Showcasing the scientific endeavour, ground-breaking research and future possibilities of technology, this new institution will explore the power of science and the technological advancements defining our future.

Photograph by Luke Hayes
The Serpentine North Gallery consists of two distinct parts, namely the conversion of a classical 19th century brick structure – The Magazine – and a 21st century tensile structure. The Serpentine North Gallery is thus – after MAXXI in Rome – the second art space where ZHA has created a synthesis of old and new.

Photograph by Fernando Guerra
An enclosed interactive space spanning the River Ebro to form a gateway to the Zaragoza Expo 2008, a hybrid of pedestrian footbridge and exhibition pavilion. Four structural elements correspond to specific spatial enclosures, which intersect and brace each other. This fluid, dynamic design interprets the Expo’s theme: ‘Water and Sustainable Development.’

Located at the entrance to Sanya’s harbour, the new cultural district by ZHA is adjacent to the Jiangang Road terminus of Sanya’s tram network that connects many of the residential and hotel districts on Sanya Bay with the city’s high-speed rail station.

Courtesy of Arch-Exist
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The new Chengdu Science Fiction Museum is situated on Jingrong Lake within the Science & Innovation New City of Chengdu’s Pidu District.

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Waterfront view of new Science Centre. render by Negativ. The image is an artist’s impression, and final design may be subject to changes.
Singapore’s New Science Centre will provide unique facilities and programmes as a destination for all Singaporeans to access science, technology, engineering and mathematics (STEM) education and experiences.

Courtesy of CAT-OPTOGRAM 猫瞳
Integrating three distinct cultural institutions for the city, each venue within the Zhuhai Jinwan Civic Arts Centre incorporates unique characteristics that create differing visitor experiences, yet all are united by a coherent formal and structural logic that spans 170 meters wide from east to west and 270 meters long from north to south.

Photograph by Hélène Binet
Exterior View, Dusk
MAXXI supercedes the notion of the museum as ‘object’ or – presenting a field of buildings accessible to all, with no firm boundary between what is ‘within’ and what is ‘without’. Central to this new reality are confluent lines – walls intersecting and separating to create interior and exterior spaces.

Photograph by Roland Halbe
Our extension at Ordrupgaard redefined the relationships between the museum buildings gardens, creating a new landscape both in itself and in unison with its surroundings. Design ensures that visitors’ experience is not fragmented or compartmentalized – building / collection / gardens – but a continuous, fluid interaction between different elements and aspects.
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