
Photograph by McAteer Photograph / Alan McAteer
Glasgow, United Kingdom
2004 - 2011
Glasgow City Council
Glasgow Riverside Museum of Transport

Photograph by Hélène Binet

Photograph by Hufton + Crow

Photograph by Hufton + Crow

Photograph by Hufton + Crow

Photograph by McAteer Photograph / Alan McAteer

Photograph by Iwan Baan
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The Riverside Museum is derived from its context. The historic development of the Clyde and the city of Glasgow is a unique legacy. Located where the Kelvin joins the Clyde, the museum’s design flows from the city to the river; symbolizing a dynamic relationship where the museum is the voice of both, connecting the city to the river and also the transition from one to the other. The museum is situated in very context of its origins, with its design actively encouraging connectivity between the exhibits and the wider environment.
The building, open at opposite ends, has a tunnel-like configuration between the city and the Clyde. However, within this connection between the city and river, the building diverts to create a journey away from its external context into the world of the exhibits. Here, the internal path within the museum becomes a mediator between city and river, which can either be hermetic or porous depending on the exhibition layout. Thus, the museum positions itself symbolically and functionally as open and fluid, engaging its context and content to ensure it is profoundly interlinked with not only Glasgow’s history, but also its future. Visitors build up a gradual sense of the external context as they move through the museum from exhibit to exhibit.


Photograph by Hufton + Crow
The design is a sectional extrusion, open at opposing ends along a diverted linear path. This cross-sectional outline is a responsive gesture to encapsulate a wave or ‘pleats’. The outer ‘pleats’ are enclosed to accommodate support services and the ‘black box’ exhibits. This leaves the main central space column-free and open, offering greatest flexibility to exhibit the museum’s world-class collection.
Zaha said: “Through architecture, we can investigate future possibilities yet also explore the cultural foundations that have defined the city. The Riverside Museum is a fantastic and truly unique project where the exhibits and building come together at this prominent and historic location on the Clyde to enthuse and inspire all visitors. The design, combining geometric complexity with structural ingenuity and material authenticity, continues Glasgow’s rich engineering traditions and will be part of the city’s future as a centre of innovation."
Culture
From a civic art centre that unites three distinct cultural institutions to a science fiction museum whose landscaping contributes to the city’s drainage and flood defence systems, discover our latest cultural projects.

A series of new landscaped parklands, terraces and gardens along the Zhedong Canal within the Xiaoshan district of Hangzhou

Render by Atchain
A place of convergence and collaboration, the Yidan Center will be home to the Chen Yidan Foundation in its work to promote lifelong learning and innovation in education.

Render by Proloog
Elevation River
Designed to host local and international productions of opera, dance and drama together with large-scale symphonies and musical theatre, the Art and Culture Centre includes a 1,400-seat Grand Theatre, 500-seat Black-Box Multifunctional Hall, 2,900 sq. m Arts and Education Centre, 3,000m² Conference Centre, 7,500m² Heritage Museum and a 10,000m² Digital Art Gallery.

Render by Specto-Digital
Meaning ‘inheritance passed down through generations’, Asaan will be an institution dedicated to preserving and celebrating this rich heritage, in addition to promoting creativity and knowledge sharing.

The new Nikola Tesla Museum renovates Belgrade’s historic Milan Vapa Paper Mill into a cultural destination celebrating Tesla’s legacy while preserving the city’s architectural heritage and creating a variety of new public spaces for local residents and visitors.

Courtesy of ZHA
River View
The Alisher Navoi International Scientific Research Centre will incorporate the Navoi State Museum of Literature, Auditorium, International Research Centre and School.

Render by Atchain
Jinghe New City is growing as a science and technology hub north of Xi’an in China’s Shaanxi province. Supported by new scientific research institutes and driven by environmental considerations, the city is becoming a centre for developing industries focusing on new energy and materials, artificial intelligence and aerospace.

Photograph by Virgile Simon Bertrand
Showcasing the scientific endeavour, ground-breaking research and future possibilities of technology, this new institution will explore the power of science and the technological advancements defining our future.

Photograph by Luke Hayes
The Serpentine North Gallery consists of two distinct parts, namely the conversion of a classical 19th century brick structure – The Magazine – and a 21st century tensile structure. The Serpentine North Gallery is thus – after MAXXI in Rome – the second art space where ZHA has created a synthesis of old and new.

Photograph by Fernando Guerra
An enclosed interactive space spanning the River Ebro to form a gateway to the Zaragoza Expo 2008, a hybrid of pedestrian footbridge and exhibition pavilion. Four structural elements correspond to specific spatial enclosures, which intersect and brace each other. This fluid, dynamic design interprets the Expo’s theme: ‘Water and Sustainable Development.’

Located at the entrance to Sanya’s harbour, the new cultural district by ZHA is adjacent to the Jiangang Road terminus of Sanya’s tram network that connects many of the residential and hotel districts on Sanya Bay with the city’s high-speed rail station.

Courtesy of Arch-Exist
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The new Chengdu Science Fiction Museum is situated on Jingrong Lake within the Science & Innovation New City of Chengdu’s Pidu District.

Render by Negativ
Waterfront view of new Science Centre. render by Negativ. The image is an artist’s impression, and final design may be subject to changes.
Singapore’s New Science Centre will provide unique facilities and programmes as a destination for all Singaporeans to access science, technology, engineering and mathematics (STEM) education and experiences.

Courtesy of CAT-OPTOGRAM 猫瞳
Integrating three distinct cultural institutions for the city, each venue within the Zhuhai Jinwan Civic Arts Centre incorporates unique characteristics that create differing visitor experiences, yet all are united by a coherent formal and structural logic that spans 170 meters wide from east to west and 270 meters long from north to south.

Photograph by Hélène Binet
Exterior View, Dusk
MAXXI supercedes the notion of the museum as ‘object’ or – presenting a field of buildings accessible to all, with no firm boundary between what is ‘within’ and what is ‘without’. Central to this new reality are confluent lines – walls intersecting and separating to create interior and exterior spaces.
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